{"title":"Re-Reading, Re-Making: Art After Dialogue","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFor six decades, \u003c\/span\u003e\u003cem\u003eDialogue: A Journal of Mormon Thought\u003c\/em\u003e\u003cspan\u003e has invited writers, scholars, and artists to explore the questions, complexities, and possibilities of Mormon life and thought. \u003c\/span\u003e\u003cspan\u003eFor this exhibition, we asked to look back through \u003c\/span\u003e\u003cspan\u003eDialogue\u003c\/span\u003e\u003cspan\u003e’s history and its ideas and art that have animated the journal across generations. The resulting works are not illustrations of \u003c\/span\u003e\u003cspan\u003eDialogue\u003c\/span\u003e\u003cspan\u003e’s past, but creative responses to it: interpretations, conversations, echoes, and departures. \u003c\/span\u003e\u003cspan\u003eTogether, these works invite us to consider how ideas move across time and disciplines, how scholarship and art engage in conversation, and how the questions that have mattered to Mormon communities continue to generate new forms of seeing and imagining.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"addie-cook-yager-the-gift-she-gave","title":"Addie Cook Yager, The Gift She Gave","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e Addie Cook Yager\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cem\u003eThe Gift She Gave\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eAcrylic on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eUnframed Dimensions:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e24 x 24 x 1.5 inches\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eFramed Dimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e25 x 25 x 2.25\u003c\/span\u003e\u003cspan\u003e inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e$\u003cmeta charset=\"utf-8\"\u003e500\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArtist Statement:\u003c\/strong\u003e As I became a mother, I found myself seeing Eve not only as the first mother, but as the first visionary because she saw us. Eve looked beyond what was and envisioned what could be. She exchanged the comfort of Eden for the possibility of growth. She recognized agency as the gift that would allow humanity to learn, create, love, and become. To our first earthly mother, this painting is my expression of gratitude. Her gift made all of my favorite people possible. Inspired by Jenna Rakuita’s essay “True Joy Cannot Be Found in the Garden,” published in Dialogue: A Journal of Mormon Thought.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eArtist Bio: \u003c\/strong\u003eAddie Yager is a self-taught contemporary artist based in Cheney, Washington. Working primarily in acrylic and oil, she creates geometric paintings inspired by landscapes, wildlife, and the human experience. Drawing from the varied landscapes of the American West and Midwest, her work distills terrain into bold color, rhythm, and structure, inviting viewers to find beauty and meaning in the spaces between. Her recent work explores themes of motherhood, faith, and the sacred through a contemporary lens.\u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49306540146923,"sku":null,"price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/TheGiftSheGave-AddieYager.heic?v=1787878451"},{"product_id":"megan-knobloch-geilman-the-pink-issue","title":"Megan Knobloch Geilman, The Pink Issue","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e Megan Knobloch Geilman\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e The Pink Issue\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eDigital Collage with Glass Bead Overlay\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eUnframed Dimensions:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e13.5 x 17 inches\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eFramed Dimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e14.5 x 18 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e$750\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eArtist Statement: \u003c\/strong\u003eThis work is in response to the themes and many of the articles of \"The Pink Issue.\" The Pink Issue was an effort made by Leonard Arrington in 1971 to include more female voices in Mormon intellectual thought. Those voices were largely comprised of the Boston based women's group that later began Exponent II, the Mormon feminist magazine. The Pink Issue has been a foundational text for Mormon Feminist studies and focuses on concerns around motherhood, work, creativity, and gospel dilemma's in balancing these sometimes competing interests.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Bio: \u003c\/strong\u003eMegan Knobloch Geilman is a digital based artist located in Southern California and Utah. She uses staged scenes and digital collage to engage visual conversations on intersections of race, gender, and politics with historical and contemporary Mormonism. Megan is currently working on her MFA at Claremont Graduate University in Claremont, California. She grew up in San Diego and studied art at the California College of the Arts and Brigham Young University. Along with her love of art history, she enjoys walkable downtowns, community events, a good restaurant, and enjoying each of these things with her husband and three children. \u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49306543587563,"sku":null,"price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/ThePinkIssue-MeganGeilman_ae3607de-f6e3-4958-a032-9c9651da5971.jpg?v=1787879088"},{"product_id":"lauren-walke-sanctification-and-oh-god-hear-the-words-of-my-mouth","title":"Lauren Walke, Sanctification and Oh God, Hear the Words of My Mouth","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eLauren Walke\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eSanctification and Oh God, Hear the Words of My Mouth \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eWatercolor and gouache\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eUnframed Dimensions:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e8 x 10 inches (\u003cmeta charset=\"utf-8\"\u003ediptych, each)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eFramed Dimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e12 x 15 Inches \u003cmeta charset=\"utf-8\"\u003e(\u003cmeta charset=\"utf-8\"\u003ediptych, each)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e$2,800\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArtist Statement:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eThis diptych, Sanctification and Oh God, Hear the Words of My Mouth, marks a closing gesture within my body of work grappling with religion, memory, and inherited belief. Created through a process of return and revision, these self-portraits evolved into ritualistic, repetitive, and devotional acts. Borrowing from the visual language of liturgy, they hold reverence and resistance in equal measure. Through self-portraiture, I use the body as a site of internal processing. The works reflect the experience of sifting through inherited beliefs, returning to familiar language and imagery, and considering what can be carried forward, reclaimed, or remade. Rather than resolving these questions, the diptych allows faith, doubt, grief, devotion, and personal autonomy to remain in tension. Sanctification draws on imagery of purification, calling, rebirth, and renewal. Oh God, Hear the Words of My Mouth returns to the language of Mormon temple ritual and prayer. In both works, familiar forms are placed within a more personal visual language, creating space for meanings that are not fixed or singular. Together, these works function as bookends, closing a chapter of religious inquiry shaped by my upbringing, my body, and my relationship to systems of belief. In this way, the diptych engages themes that have long appeared in Dialogue, including embodied spirituality, Mormon feminism, doubt, devotion, and the negotiation between inherited belief and personal autonomy. The works remain rooted in Mormon experience while making space for questioning, reinterpretation, and a spirituality that is self-defined. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Bio:\u003c\/strong\u003e Lauren Walke is a visual artist and illustrator based in Rocky Mount, Virginia. Working primarily in mixed media, she creates layered, symbolic imagery informed by Appalachian landscapes, folklore, myth, and religious iconography. Her work explores ritual, memory, and the relationships between people, belief, and the natural world. Walke holds a BFA in Two-Dimensional Studies from Weber State University. Over the past decade, she has worked as a freelance illustrator, art director, and educator. These experiences inform her approach to storytelling, composition, and visual narrative.\u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49306549387499,"sku":null,"price":2800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/LaurenWalkeSanctificationandOhGodHeartheWordsofmyMouth-LaurenWalke_9SirensCreative_1.jpg?v=1787879694"},{"product_id":"sarah-horn-becoming-an-lgbtq-ally","title":"Sarah Horn , Becoming an LGBTQ Ally","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eSarah Horn \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cem\u003eBecoming an LGBTQ Ally\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eWatercolor and Ink on Paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eUnframed Dimensions:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e18 x 24 inches\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eFramed Dimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e19 x 25 x 1 1\/8 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e$600\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArtist Statement:\u003c\/strong\u003e What I found surprised me in Dialogue's articles around topics that are personal and important to me like faith, autism, depression, and even suicidal ideation. I started to see a pattern emerge about the struggles individuals and families living within the LGBTQ community experience as members of the Church of Jesus Christ of Latter-day Saints. Increased rates of depression, suicide, loneliness, judgement. All of which are counterintuitive to the Zion we are hoping to establish. I was privileged to create this painting for the first Gather Conference, a Christ-centered support for Latter-day Saint LGBTQ individuals and those who love them in September 2023. \"Becoming an LGBTQ Ally\" is watercolor and ink on paper offering a visual prayer of the energy, intention, and humility it requires to become a LGBTQ ally. The bright, bold, and abstracted shapes, colors, and line work feel like hope and confusion at the simplicity and complexity of overcoming natural man bias' and comforts. Showing the full spectrum of individuals learning to embrace Christlike love, improve communication and increase emotional intelligence. The use of watercolor is symbolic of the flow service, grace, love, and forgiveness for ourselves and others offers as a bridge to our differences. The black line work tells the stories that help us find similarities with our LGBTQ brothers and sisters. The layering of the shapes, colors and line work share the truth in the confusion and beauty that also occurs when we are learning to love individuals as God loves us. Especially as we break through perceptions and execrations created by society and church cultures. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Bio:\u003c\/strong\u003e I'm a multidisciplinary artist creating tangible experiences with God by sharing the unseen world of faith, prayer, and personal revelation. I create with anything and everything from recycled and new mediums to thrifted or found objects in nature to collaborative work with musicians or solo performances to convey the simplicity and complexity of the human experience learning to \"let there be Light\" within us. Because when we see our Creator, even through the lens of someone else's experiences, we can choose to connect with the beauty and power within ourselves as creators in training. \u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49306554269931,"sku":null,"price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/IMG_1504-SarahHorn.jpg?v=1787880019"},{"product_id":"haylie-ginn-consider-the-lilies","title":"Haylie Ginn, Consider The Lilies","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e Haylie Ginn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eConsider The Lilies\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eOil on canvas board \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eUnframed Dimensions:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e18 x 14 x 1\/3 inches\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eFramed Dimensions:\u003c\/strong\u003e 20 1\/4 x 16 1\/4 x 1 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e$575\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArtist Statement:\u003c\/strong\u003e  \u003cmeta charset=\"utf-8\"\u003eConsider The Lilies was inspired by a passage from Dust to Dust: A Mormon Folktale by Phyllis Barber, where a single lily becomes a symbol of surrender and unwavering trust in God’s provision. As the storm quiets and the landscape is transformed, the lily serves as a reminder of Christ’s words: “Consider the lilies of the field, how they grow; they toil not, neither do they spin” Through soft light and impressionistic brushwork, this painting invites viewers into a moment of stillness where faith takes root despite uncertainty. It reflects the quiet strength found in releasing fear and trusting that God is present, even before the storm has passed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Bio:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eHaylie Ginn is an impressionistic oil painter whose work celebrates the quiet beauty of nature and the grace of women through a Christ-centered perspective. Using luminous light, expressive brushwork, and rich color, she creates paintings that invite moments of peace, hope, and reflection. Woven throughout her work is a deep Christian faith, with each piece serving as a gentle reminder of God’s presence in both creation and the human spirit. As a self-taught artist based in Idaho, Ginn has been developing her craft since childhood. Her work has been featured in local coffee shops and farmers markets. Inspired by God’s creation, she continues to explore themes of Christ-centered femininity, the sacredness of everyday life, and the restorative power of the natural world. Which encourage viewers to find harmony, beauty, and the presence of God in everyday life.\u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49306556989675,"sku":null,"price":575.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/Tezza-2481-HayliePark.jpg?v=1787880292"},{"product_id":"emilie-buck-lewis-women-blessing-women","title":"Emilie Buck Lewis, Women blessing women","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eEmilie Buck Lewis\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eWomen Blessing Women\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eOil on mdf\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eUnframed Dimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e24 x 18\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003einches\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eFramed Dimensions:\u003c\/strong\u003e 26 x 20 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e$1,715\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArtist Statement:\u003c\/strong\u003e  \u003cmeta charset=\"utf-8\"\u003eTrees have long been symbolic of Heavenly Mother. Trees bless us with every life-giving breath we take. It seems natural, then, that a feminine blessing take place in a forest; the grove of the Mother. Women blessing women is at once natural and needed. Not in place of men giving blessings, but alongside—another form, another dialect, another connection to the divine communication that is sought by humankind. Dialogue articles referenced for this painting included: The Mother Tree; Understanding the Spiritual Root of our Ecological Crisis by Kathryn Knight Sonntag; Vol. 52 No. 1, and The Order of Eve: A Matriarichal Priesthood by Kyra N. Krakos; Vol. 53 No. 1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Bio:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eEmilie lives in Sandy, Utah with her husband and two sons. She loves exploring feminine themes and the natural world in her work.\u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49306559774955,"sku":null,"price":1715.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/ELEWISwomenblessingwomen-EmilieBuckLewis_1.jpg?v=1787880781"},{"product_id":"amberlea-erekson-smoot-i-will-show-you-all-these","title":"Amberlea Erekson Smoot, I Will Show You All These | Abraham 3:12","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e Amberlea Erekson Smoot\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eI Will Show You All These | Abraham 3:12\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eOil on Wood Panel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eUnframed Dimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e30 x 20 x 1.65 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eFramed Dimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e35 x 25 x 2 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e$6,765\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArtist Statement:\u003c\/strong\u003e  \u003cmeta charset=\"utf-8\"\u003eI Will Show You All These reimagines Joseph Smith within the visual world of the Book of Abraham facsimiles. Inspired by Hugh Nibley’s 1968 Dialogue essay on the Joseph Smith Papyri, the painting presents Joseph not merely as an interpreter of ancient texts, but as a seer, revelator, and witness. Clothed in white, he occupies the enthroned position of Figure 7 from Facsimile 2, with a flagellum, long associated with kingship and divine rule, raised in his hand. The wedjat-eye rests in his open palm, and the dove of the Holy Ghost alights before him. The title comes from Abraham 3:12, where the Lord promises Abraham, “I will show you all these,” before revealing a vision of the stars, intelligences, and the organization of creation. Rather than focusing on the mechanics of translation, the painting contemplates the world the Book of Abraham reveals. The scrolls at Joseph’s feet represent the Book of Abraham, while the temple walls around him gather the full visual program of all three facsimiles: the astronomical figures of Facsimile 2, the altar and gods of Facsimile 1, and the royal court of Facsimile 3. He is seated before an Egyptian false door, a sacred threshold between the mortal and divine realms. Overhead, an astronomical ceiling and a winged solar disk place the temple inside the cosmos itself, held up by pillars that stand in for the pillars of heaven. Joseph is depicted not as a man deciphering a foreign language, but as a witness. Occupying the place of the enthroned figure, he is shown what Abraham was shown and commissioned to bear that witness to the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Bio:\u003c\/strong\u003e Amberlea Erekson Smoot is an oil painter whose work explores the meeting place of heaven and earth through sacred history, scripture, and the covenant relationship between God and His children. Drawing upon chiasmus, symbolic landscapes, and layered visual narratives, her paintings make visible the eternal realities accessible only through covenant eyes. She spent nearly a decade in administrative and project management roles at FamilySearch. A BYU–Idaho History graduate, Amberlea studied at the BYU Jerusalem Center, served a mission in Eastern Ukraine, and worked as a sketch artist on archaeological excavations in Egypt alongside her Egyptologist husband, experiences that have profoundly shaped both her faith and artistic vision. She now consecrates her time to raising her family and creating works that declare, in paint, that Jesus is the Christ.\u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49306576322795,"sku":null,"price":6765.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/IWillShowYouAllThese_20x30_AmberleaEreksonSmoot-AmberleaErekson_2.jpg?v=1787880969"},{"product_id":"anna-ream-sisters-wisdom","title":"Anna Ream, Sisters Wisdom","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eAnna Ream\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cem\u003eSisters Wisdom\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003earchival pigment print\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eUnframed Dimensions:\u003c\/strong\u003e 14\u003cspan\u003e x 20 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eFramed Dimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e15 x 21 x 2 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e$700\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArtist Statement:\u003c\/strong\u003e  My photographic practice shaped my feminist awakening, pushing me to think critically about the gender norms I inherited from my Mormon upbringing, and to develop a voice to respond to them. Sisters Wisdom belongs to my series MormonBSads, in which I appropriate the visual language of Mormonads, advertisements for teenagers published in Church magazines since the early 1970s. The BS stands for benevolent sexism: the subtle, often well-intentioned ways patriarchal systems constrain women under the guise of protection and reverence. I pair quotes drawn from general authorities' talks with images from my archive or newly staged photographs, making visible the subtext I internalized and am now unraveling. Through its pink and red palette, the piece honors Dialogue's 1971 Pink Issue and 1981 Red Issue, the journal's first two devoted to women's issues, and through its boldness, the 60 years Dialogue has spent giving Mormon women a platform to name their experiences of gender within the LDS tradition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Bio:\u003c\/strong\u003e Anna Ream is a fine art photographer and educator based in Issaquah, Washington. Her practice considers how personal identity is shaped by social roles, expectations, and belonging. Working both observationally and through constructed imagery, she explores childhood, adolescence, motherhood, and tradition: territories that shaped her, that she has watched her children move through, and that she now reconsiders through photography. Anna’s work has been featured internationally in exhibitions, on websites such as TODAY.com and The Daily Mail, and published in magazines such as Exponent II. She is a graduate of the certificate program at Photographic Center Northwest, the only accredited freestanding photography school in the country, where she is now a faculty member and Board Trustee.\u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49306697400555,"sku":null,"price":700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/AnnaReam_SistersWisdom_2026-AnnaReam.jpg?v=1787881151"},{"product_id":"frank-mcentire-the-tree-witnesses","title":"Frank McEntire, The Tree Witnesses *PICKUP ONLY*","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eFrank McEntire\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cem\u003eThe Tree Witnesses\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eMixed media\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e \u003cspan\u003e21.25 x 11.25 x 7.5 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e $1,850.00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArtist Statement:\u003c\/strong\u003e  I was fortunate to be Dialogue's art editor for about 10 years, in partnership with Warren Archer -- all of Mary Bradford and Jack and Linda Newell's terms as editors and the first part of the Petersons'. My art-making for the past several decades has been in assemblage and installation. This piece, The Tree Witnesses, shows the woods on Peter Whitmer's farm as witnesses to Joseph's receipt of the golden plates.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Bio:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eFrank McEntire, originally from Houston, TX, is an artist, curator, and writer. His assemblages explore spirituality, conflict, and the environment. He is a former art critic for The Salt Lake Tribune and Salt Lake Magazine, and he has published essays and reviews in magazines and exhibition catalogs, including the award-winning \"Dreams and Shields: Spiritual Dimensions in Contemporary Art\" and his book \"Final Light,\" about the legendary Utah painter V. Douglas Snow. As former director of the Utah Arts Council (now the Utah Division of Arts and Museums), and through his service on boards, panels, and task forces, he has advanced many artists’ careers and enriched the state’s cultural life. He studied at Lon Morris College (AA) in Jacksonville, TX; the University of Texas at Austin; and Brigham Young University (BA; MRED), where he majored in theater, cinematic arts, and community education administration. He received the “Salt Lake City Mayor’s Service in the Arts Award”; the “Ward Roylance Award for Environmental Education and Artistic Achievement” from Entrada Institute; was named one of “Utah’s 15 Most Influential Artists” by Artists of Utah; was named one of “One Hundred Most Honored Artists of Utah\" by the 2002 Winter Olympics Art Committee; and was a recipient of the prestigious Charles Stewart Mott Foundation Fellowship. His assemblages and installations have been exhibited at most major art sites in the state. In the catalog for McEntire’s ambitious \"Spontaneous Memorial\" installation about 9\/11 and war in general, when exhibited in Houston, TX, renowned author, curator, and museum director Jim Edwards stated in the exhibit catalog that he has “come to think of Frank McEntire as one of our country’s most outstanding assemblage artists. He has joined the ranks of Ed and Nancy Kienholz and Betye Saar, American artists who have also devoted their art to issues dealing with social justice, politics, religion, and spirituality.”\u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49306798817515,"sku":null,"price":1850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/2TheTreeWitnesses-FrankMcEntire.jpg?v=1787881296"},{"product_id":"david-habben-son","title":"David Habben, Son","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eDavid Habben\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cem\u003eSon\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eAquarelle and graphite on paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eUnframed Dimensions:\u003c\/strong\u003e \u003cspan\u003e7 x 7 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eFramed Dimensions:\u003c\/strong\u003e 10 x 10 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e $500\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArtist Statement:\u003c\/strong\u003e  \u003cmeta charset=\"utf-8\"\u003eThis work was created in response to Matthew Thomas Nagel's poem, \"Blessing My Son\", featured in Volume 44, No. 3, Fall 2011 issue of Dialogue. The poem's text offers the unspoken thoughts of the father, blessing his son internally beyond the outward markers of discipleship within the LDS faith. As a father myself, I know that struggle deeply; wanting our children to be more than just check marks and also be able to fully engage with the ups and downs of existence as they develop virtuous character traits. The image of the cloud comes up frequently in my work as a representation of the amorphous nature of understanding and growth. Here, the monotone legs of the figure contrast to the colorful being climbing out of the cloud; becoming their full self and bearing all the markers of individual growth and experience. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Bio:\u003c\/strong\u003e David Habben is an artist and illustrator based in Lehi, Utah. He received a BFA in Illustration from Brigham Young University and an MFA in Studio Art from The University of Utah. His work has received awards from The Society of Illustrators, Communication Arts, 3x3 Illustration Magazine, and included in the permanent collections of the Church History Museum in Salt Lake City, Utah, and Brigham Young University in Provo, Utah. David is currently an Associate Professor in the Department of Design’s Illustration Program at Brigham Young University. \u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49306868056299,"sku":null,"price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/Habben_Son-DavidHabben.jpg?v=1787881460"},{"product_id":"violet-bergeson-she-published-her-truth-and-i-could-finally-whisper-mine","title":"Violet Bergeson, She Published Her Truth and I Could Finally Whisper Mine","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eViolet Bergeson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cem\u003eShe Published Her Truth and I Could Finally Whisper Mine\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eLinocut print on paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eUnframed Dimensions:\u003c\/strong\u003e 12\u003cspan\u003e x 12 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eFramed Dimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e22 x 22 x 1 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e $780\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArtist Statement:\u003c\/strong\u003e  \u003cmeta charset=\"utf-8\"\u003eA girl grows up receiving many tiny cuts Her community assures her these are not cuts there is no problem here She wonders agonizes Why do these not-cuts sting? How do they bleed? Will no one see her pain? She shrinks and sinks away from peace and light “What is wrong with me?” Until one day She reads the words of one like her but wise and bold enough to disagree And now the cuts have names: Sexism Patriarchy Misogyny Purity culture Shame The philosophies of men, mingled with scripture Finally finally she tends her wounds and they begin to heal Finally she grows strong enough to whisper her truth and she reaches for light, stars, hope Her own not filtered through a man This piece pays homage to the women’s issues of the dialogue, beginning in 1971 with the pink issue, followed by the red issue and many more women-centered issues and articles since.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Bio:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e Violet is a Canadian-born printmaker and oil painter. 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Working primarily with oil paint and fabric, their practice combines processes of accumulation and removal. They build layers of color and texture, then subtract from the surface by scraping, sanding, and wiping away paint. Raised in St. George, Utah, Hortin earned a Bachelor of Fine Arts from Utah Valley University, where they developed a practice centered on painting and drawing. Currently, Hortin is focused on exploring stories in scripture and considering them from different points of view. Through their work, they aim to create space for reflection and conversation, encouraging viewers to engage with these stories in personal and unexpected ways.\u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49310324031723,"sku":null,"price":9500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/thegarden.26-KateHortin.jpg?v=1787958221"},{"product_id":"madeline-gibson-womans-work","title":"Madeline Gibson, Woman's Work","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eMadeline Gibson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWoman's Work\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eOil on linen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eUnframed Dimensions:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e36 x 36 in\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eFramed Dimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e39 x 39 x 1.5\u003c\/span\u003e\u003cspan\u003e inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e$2,800\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArtist Bio:\u003c\/strong\u003e MADELINE GIBSON (1996. SLC, UTAH) Began painting at nine years old when she was placed in an oil painting class while living in Monterrey, Mexico. Madeline has continued to make and study art throughout her life. She has worked under classically trained artists and throughout college. Since then, Madeline has been featured in multiple shows locally and abroad. She currently works in a collaborative studio in Salt Lake City, Utah where she continues to produce paintings that reflect her spirituality, the exploration and understanding of self, as well as images of nature and the peace felt in those spaces. Madeline is primarily an oil painter and printmaker, but likes to incorporate woodworking, weaving and leatherworking into her practice as well. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Statement: \u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWoman’s Work is a narrative piece focused on three Mormon feminist topics: women’s participation in exaltation, Eve’s decision to partake of the fruit, and the daily labor and service women perform in the church.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePieces of garments have been cut up and integrated into the linen canvas. These garments, along with the sun, moon, and star in the top right corner, relate to Melodie Moench Charles’ article titled The Need for a New Mormon Heaven. This reinforces that, although women are integral to reaching exaltation, the focus remains on the man. Polygamy in the afterlife further characterizes women as “stepping stones” for faithful men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe worm in the apple represents the rot within the proposition to Eve and Adam from the beginning. Most agree that the fall was necessary for human development and progression. Alison Walker’s article, Theological Foundations of Patriarchy, discusses the complexities in the story of Mother Eve. While Eve chose to progress and experience the fullness of the human experience, she also opened herself up to pain, criticism, and submission, as well as every woman after her. Men did not rule over women before the fall, but “fallen man rules over fallen woman.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe quilt-like “stitching” is a nod to my grandma and mother who I saw quilting together from a young age. Quilting is a laborious, functional art that demands countless hours. In the same way, a faithful woman lives in service of others. Carol Cornwall Madsen’s article, Mormon Women and the Struggle for Definition, explains that early in the church, women were given power over themselves through the Relief Society and other organizations. Today, those efforts are no longer seen as progressive and empowering, but rather as an excuse to confine women to specific, localized duties or work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49314072723691,"sku":null,"price":2800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/IMG_0444-MadelineGibson.jpg?v=1788046404"},{"product_id":"orion-trunk-the-sisters-still-please-veil-their-faces","title":"Orion Trunk, The Sisters Still Please Veil Their Faces","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eOrion Trunk\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eThe Sisters Still Please Veil Their Faces \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003ePencil and ink on sketchbook paper \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eUnframed Dimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e8 x 10 inches\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eFramed Dimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e8.5 x 11 x 1 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e$200\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArtist Bio:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eA self-trained artist, inspired by all that I can find, including comic books, noir, macabre, and theology. Husband to an amazing wife, and father of 4 fantastic daughters \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Statement: \u003c\/strong\u003eInspired by Disney’s Hocus Pocus, as well as Michelle Alexander’s book  \"the New Jim Crow\", and the “iron fence as protection” analogy, this piece regards the hinderance of women’s voices in religious settings; while men’s voices that challenge authority often result in revolution and restoration, women who seek authority and power are considered witches and heretic. A poem accompanies this piece: “A woman’s voice, a voice alone, Can often turn to voice of stone- A veiled face, to be revered, Her tone accosts as shrill, severe. A choice, of Eve’s - a veiled threat- “Twill please the court” if she will set- To set as stone, “protected”, “vaunted” A blame, a curse, a role unwanted - For as she speaks, her letters scarlet; To be the lead would make her harlot. Edenic journey, Adam’s Rib To ‘ordaining women’ ‘women’s lib’ For power given as a condition, queen, A song to view, not heard or seen.” 2 Peter 1 gives a litany of values that, when utilized, allow the recipient to see “afar off”; however, in many Abrahamic religions, Christianity included, and Mormonism specifically, the veil is still referenced a great deal in ordinance work. This piece, provides a nice amalgamation of two consequences in hocus pocus, but more importantly a commentary in the representation of women’s voices in religious settings. Please consider every individual word in the phrase “the sisters will please veil their faces” and how this piece resonates. \u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49314120499435,"sku":null,"price":200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/IMG_4477.jpg?v=1788552207"},{"product_id":"crystal-gonzalez-callison-selectively-passing-on-my-inheritance","title":"Crystal Gonzalez Callison, Selectively Passing On My Inheritance","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eCrystal Gonzalez Callison\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eSelectively Passing On My Inheritance\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eOil on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e48 x 48 x 1.5 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e$3,200\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArtist Bio:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eCrystal Gonzalez Callison (b. 1988) is a Texas-native Utah-based interdisciplinary artist and mother of six, including children with disabilities. Despite not having a formal art education she began pursuing her own artistic practice in her mid-30s to process grief, particularly following her father’s passing. Her work emerges from questions of memory, absence and presence, loss, identity, motherhood, and heritage. As a Mexican American, daughter of immigrants, and mother, she creates art that reflects the cultural disconnect she experiences, visually depicting the contrast between what has been lost and what has been preserved. Through different mediums, she focuses on memory, grief, and preserving what matters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Statement: \u003c\/strong\u003eRebecca Wagstaff’s essay, “Reflections on Life, Art, Loss, and Love,” resonated with me because loss has shaped both my life and my decision to pursue art. Her reflections on inheritance connected with ideas that have always been part of my work. When I create, I think about my ancestors, the little I know about their lives, what I may have inherited from them, and how they shaped me. Now that my father and all of my grandparents have passed away, I am left with the fragments of what I know about them and what they passed on to me. “Selectively Passing On My Inheritance” reflects on what I have inherited from them and the ongoing process of choosing what is worth passing on to my children and what I want to change.\u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49314269921515,"sku":null,"price":3200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/GonzalezCallisonCrystal_SelectivelyPassingOnMyInheritance_10x10in-CrystalGonzalezCallison.jpg?v=1788047866"},{"product_id":"jane-wilson-boyle-he-prayed-more-earnestly","title":"Jane Wilson Boyle, He Prayed More Earnestly","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eJane Wilson Boyle\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eHe Prayed More Earnestly \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eOil on panel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eUnframed Dimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e8 x 10 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eFramed Dimensions: \u003c\/strong\u003e9 x 11 x 1.5 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e$400\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Statement:\u003c\/strong\u003e Darkness is the vital partner to light, and is the catalyst for growth and faith in mortality. Because Christ offered himself to the depths of darkness, He is able to be the bearer of all light. He knows our darkness, and is with us during our longest nights.\u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49314346762475,"sku":null,"price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/IMG_8900-JaneWilson.jpg?v=1788048429"},{"product_id":"jessica-day-smith-i-know-what-it-is-i-hold","title":"Jessica Day Smith, I Know What It Is I Hold","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eJessica Day Smith \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eI Know What It Is I Hold \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eOil on canvas \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eUnframed Dimensions: \u003c\/strong\u003e30 x 30 x 1 inches\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eFramed Dimensions: \u003c\/strong\u003e36.5 x 36.5 x 1.12 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e$3,200\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Statement:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eThis is an exploration in the discomfort and clarity that comes when what you want, what you’re offered, and what you receive are not always the same. To challenge your belief system is exhausting and uncomfortable. However, for me, I feel an overwhelming sense of clarity and sight after accepting the challenge and the truths it brought. Dialogue Journal has long supported introspection, exploration, and discovery of ideas and interpretations of a shared belief system that challenges how we think. \u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49314438152427,"sku":null,"price":3200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/IKnowWhatItIsIHold_JessicaDaySmithDialogueShow-JessicaSmith.jpg?v=1788048783"},{"product_id":"jodee-huish-alabaster-praise","title":"Jodee Huish, Alabaster Praise","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eJodee Huish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eAlabaster Praise\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eMixed media oil on birchwood\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e\u003cspan\u003e30 x 30 x 2 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e$2,500\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Statement:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e“Don’t you know a leopard cannot change its spots?” That challenge was once given to Clinton Duffy, a prison reformer who believed people could change and begin again. He replied, “I don’t work with leopards. I work with men, and men change every day.” That is how Jesus sees us. He looks beyond our mistakes, labels and past to see a child of God with divine worth and eternal identity. He saw it in the woman with the alabaster offering. She was labeled a sinner. Others saw her past and thought they were better than her. Jesus saw her past, present and future, and through it all, her worth to Him was infinite and unchanging. Her broken vessel was the public breaking open of her heart. Christ yearns to heal us, bind us back together and make us His. But are we willing to break open our hearts? Do we trust Him with all our broken pieces? She showed us how. Not just to believe in Him, but to believe Him… that He came to bind up the brokenhearted. And that means you and me. She knelt in the dust and poured out everything she had. Praise Him with alabaster broken open. Praise Him with perfume poured out and pride laid down. Praise Him with every broken piece placed in His hands. Praise Him for mercy greater than every label. Praise Him for forgiveness that makes the brokenhearted new. “Let everything that has breath praise the LORD.” — Psalm 150:6\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eArtist Bio:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eI believe the way we see changes everything. I’m Jodee Huish, a Christian artist and Word of God lover. What I paint, how I paint it and the color, materials and processes I choose are deeply intentional. Every layer participates in the message. My process begins with surrender in mixed-media abstraction. I pour, drip, scrape, layer and blow paint across the surface, allowing beauty to emerge from chaos. I look closer, responding to what is there and building meaning layer by layer. Whether painting portrait, butterfly, broken vessel or still life, each piece testifies of a pattern I see in scripture, nature and life: Creation. Fall. Rebirth. Christ taught that our greatest work is to love God and our neighbor as ourselves. To me, that requires intimacy… into me see. Letting God undo who we imagined Him to be and teach us who He is. Taking off the mask. Letting others see into our mess. Choosing to see more divinity than dust. Through the Atonement of Jesus Christ, repentance and forgiveness make rebirth possible again and again. I see me. I see God. I see you. I am both dust and divine. You are both dust and divine. God is both infinite and intimate. I believe grace allows us to see ourselves and one another as both a work in progress and a masterpiece at the same time. The heart of my work echoes His intimate invitation: Come and see. Because what we choose to see transforms who we become.\u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49330388664555,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/IMG_7230-jodeehuish.jpg?v=1788305884"},{"product_id":"page-turner-the-womens-movement","title":"Page Turner,  The Women’s Movement: Rings of Her Asking","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003ePage Turner\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eThe Women’s Movement: Rings of Her Asking\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eDigitally printed photograph on canvas with found, manipulated, and handmade objects\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e23 x 14 x 2 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e$600\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Statement: \u003c\/strong\u003eThis assemblage responds to Carol Lynn Pearson’s illustration “The Women’s Movement: Liberation or Deception?” from the Summer 1971 “Pink Issue” of Dialogue: A Journal of Mormon Thought. I remade Pearson’s drawing in my own Appalachian material language. Her domed arch becomes a shrine, holding sacred space for the questions surrounding women’s faith, identity, authority, and freedom. At the center, concentric circles represent the tree rings of the Tree of Knowledge, recording growth, time, injury, and survival. Knowledge accumulates through experience and ripples outward from one woman to another. I grew up among Mormon women in the Blue Ridge Mountains who quietly circulated Carol Lynn Pearson’s poetry. They passed her words from hand to hand, often in secret, recognizing truths they could not always speak openly. Like tree rings, their understanding grew as it moved outward. These women taught me to sew, preserve food, tend the land, practice faith, and care for my community. What they shared carried the residue of sisterhood. Each woman added another ring of memory, labor, belief, and lived experience. The shrine is filled with eggs, nests, seeds, thread, buttons, handmade vessels, and rolled pages. These are objects of birth, work, creation, preservation, and possibility. Some appear protected. Some have been broken open. At the center is an eye, awake and watchful. She is looking, learning, and discerning for herself. The Pink Issue gave Mormon women a place to examine their lives and speak for themselves. It asks for equality on every page. More than fifty years later, I gather its questions into a new assemblage. My Mormonism informs my feminism. I do not believe liberation and faith must be opposing paths, or that spiritual devotion requires a woman to surrender her knowledge, power, or voice. The rings continue to grow. The questions continue to ripple outward.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Bio:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003ePage Turner is an Appalachian assemblage artist based in Roanoke, Virginia. Using heirlooms, domestic tools, preserved natural materials, sacred objects, and remnants of women’s lives, she creates intricate sculptures exploring faith, feminism, memory, and inherited knowledge. Rooted in the Blue Ridge Mountains and informed by her Mormon heritage, Turner’s work honors women’s domestic skills, spiritual authority, and personal power. She was featured in the book 50 Contemporary Women Artists: Groundbreaking Contemporary Art from 1960 to Now. Her work has been exhibited nationally and published widely. \u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49330393055467,"sku":null,"price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/TheWomen_sMovementRingsofHerAsking_DialoguePinkIssue_PageTurnerAssemblage_2026_small-PageTurner.jpg?v=1788306384"},{"product_id":"julie-ann-lake-diaz-the-order-of-eve","title":"Julie Ann Lake-Díaz, Madre Eva - The Order of Eve","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eJulie Ann Lake-Díaz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eMadre Eva - The Order of Eve \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eOil on Board\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eUnframed Dimensions:\u003c\/strong\u003e \u003cspan\u003e8 x 10 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eFramed Dimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e13 x 15 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e$950\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Statement: \u003c\/strong\u003e“Madre Eva - The Order of Eve” contemplates the inherent power of women. In the Spring 2020 edition, “The Order of Eve: A Matriarchal Priesthood”, anuthor Kyra N. Krakos asks the question “What is a woman’s priesthood?”. She quotes Elder Oaks who taught in 2014, “We are not accustomed to speaking of women having the authority of the priesthood in their Church callings, but what other authority can it be?” Krakos states, “Elder Oaks clarified that priesthood is the authority and power of God. By extension, that must also be the authority and power of our Heavenly Mother. “ Eve in her bravery led with remarkable faith as she chose progress and love over comfort in the Garden of Eden. My mother’s family in Santiago, Chile for centuries belonged to the Catholic faith. In that tradition the Bishops carry a ceremonial crozier, (the “cross bearer”), a staff, often with a stylized fiddle head or fern head, in the shape of a shepherd’s crook, symbolizing their calling and duty to care for God’s flock. Madre Eva is standing in the ferns and fiddleheads below a fig tree. The ferns represent growth, renewal, resilience, inner strength. The fig tree historically has symbolized in many cultures peace, prosperity, and spiritual growth. We see Eve in her power given to her by God and honor her strength and wisdom for the benefit of all mankind. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Bio:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eJulie Ann Lake-Díaz is a Chilean-American artist who lives in South Jordan, Utah with her family. Her work is primarily in oil paint and centered on themes of latinidad, belonging, as well as spiritual themes, and stories of women. \u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49330398462187,"sku":null,"price":950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/IMG_6518-JulieAnnLake.jpg?v=1788306874"},{"product_id":"jodee-huish-covenant-over-comfort","title":"Jodee Huish, Covenant Over Comfort","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eJodee Huish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Covenant Over Comfort\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eMixed media oil on birchwood\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e\u003cspan\u003e30 x 30 x 2 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e$2,500\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Statement:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHow can you be drowning in a tsunami and starving in a drought at the same time?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eI SEE YOU\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRuth, your story begins in \u003c\/span\u003e\u003cspan\u003ecreation’s wellspring\u003c\/span\u003e\u003cspan\u003e. Marriage. Home. Belonging.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThen came the \u003c\/span\u003e\u003cspan\u003efall… not gently, but all at once.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFamine emptied the land. You were widowed. Grief turned Naomi bitter cold, until she even hated her own name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGive up. Go back.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYou refused.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYour fierce love was \u003c\/span\u003e\u003cspan\u003eunshaken\u003c\/span\u003e\u003cspan\u003e. You chose covenant over comfort and trusted forward.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInside, starving in drought. Outside, drowning in seas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHumbly gleaning leftovers. Surrendering through the ache. Like a young sunflower, turning toward the Light and reorienting through the night.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eI SEE GOD\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSunshine in darkness. Peace in the storm. \u003c\/span\u003e\u003cspan\u003eBread of Life\u003c\/span\u003e\u003cspan\u003e in famine. \u003c\/span\u003e\u003cspan\u003eLiving Water\u003c\/span\u003e\u003cspan\u003e in drought.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhile Ruth grieved, You prepared redemption. Boaz was there: kinsman-redeemer, protector, restorer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThrough Boaz, I remember: \u003c\/span\u003e\u003cspan\u003eYou are the Great Redeemer.\u003c\/span\u003e\u003cspan\u003e You redeem what seemed beyond saving and restore what felt hopelessly broken.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYou descended below, then walked these waters, whispering: \u003c\/span\u003e\u003cspan\u003eCome and see.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eI SEE ME\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eI may never be widowed or endure a nation’s famine, but we all know storms that bury us alive and droughts that leave us thirsting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYour story is ours today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eI pray my heart echoes yours:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhere You go, my Lord, I will go.\u003cbr\u003eWhere You abide, I will abide.\u003cbr\u003eYour people are my people.\u003cbr\u003eYou, God, are my God.\u003cbr\u003eWhere You lead, I will follow.\u003cbr\u003eWhere You stay, I will stay forever.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRuth 1:16 — Scripture Selfie\u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49330406555883,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/image0_5.jpg?v=1788307355"},{"product_id":"em-wall-visible","title":"Em Wall, Visible","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eEm Wall\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eVisible\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eFilm photography archival print, artist made frame\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eUnframed Dimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e6 x 6\u003c\/span\u003e\u003cspan\u003e inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eFramed Dimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e14 x 14 x .5 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e$1,200\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Statement: \u003c\/strong\u003eTaylor Petrey talks extensively about the growing visibility of trans and gender non-binary Latter Day Saints in his article, “History and Theology of Trans and Nonbinary Identity in the Church of Jesus Christ of Latter-day Saints”. And how the growing visibility has resulted in panic and even violence against these individuals especially in religious settings. Theologies are not often clear to me, and are less black and white than I think most of us would like to admit. We get caught up in the policies and lose sight of the individual. This photo was taken of my trans sibling and I made the frame made from old church pews.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Bio:\u003c\/strong\u003e For Em Wall the art practice and family are inexorably intertwined. Raised in a Mormon family in Michigan, they use photography to dismantle the domestic traditions and the family structure they were taught as a child. Now, their four children can be seen in Wall’s work representing themselves, the photographer, and ideas of gender and sexuality in a religious family. Using the twin lens reflex their grandpa first gave to their mom, Wall’s photos use Christian symbols to establish allegories where reality and fiction blend to provoke questions about religious and personal truth. Em Wall received their BFA from Brigham Young University in 2020 and their MFA from Yale University in 2026. Wall has been commissioned by The New York Times and their work has appeared in the Mormon feminist magazine, Exponent ii. They received the Alice C. Kimball Travel grant while at Yale and a grant from the Yale Foundation for Lesbian and Gay studies. Wall currently lives and works between Connecticut and Michigan.\u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49341697753323,"sku":null,"price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/Wall-1-EmWall.jpg?v=1788453832"},{"product_id":"linda-hoffman-kimball-awaiting-mortality","title":"Linda Hoffman Kimball, Awaiting Mortality","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e Linda Hoffman Kimball\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eAwaiting Mortality\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003ePrinted Photograph \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e11 x 14 Inches\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e$130\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Statement:\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eCuriosity. Welcome. Engagement. Every year of Dialogue's long life, each issue - and each gathering - has celebrated these qualities. These are also the qualities I always hope to capture in my photos.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe armature of wire and metal reminds me of each of us in our pre-mortal condition -- nearly embodied, eager to get on with life, literally breathless to embrace all the richness that a body of flesh and bones may provide!\u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49342083596523,"sku":null,"price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/AwaitingMortalityphotobyLindaHoffmanKimball.jpg?v=1788462771"},{"product_id":"linda-hoffman-kimball-blue-door","title":"Linda Hoffman Kimball, Blue Door","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e Linda Hoffman Kimball\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eBlue Door\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003ePrinted Photograph \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e11 x 14 Inches\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e$130\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Statement:\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eCuriosity. Welcome. Engagement. Every year of Dialogue's long life, each issue - and each gathering - has celebrated these qualities. These are also the qualities I always hope to capture in my photos.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNotice the crisp lines of the photo of the blue door against the adobe wall. Does it calm you with its clarity and the precision of its lines? Does it then subtly tickle you with \"more to come\" by including the leafy branch above it?\u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49342087594219,"sku":null,"price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/BlueDoor-LHKimball.jpg?v=1788462828"},{"product_id":"linda-hoffman-kimball-caliente","title":"Linda Hoffman Kimball, Calienté","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e Linda Hoffman Kimball\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eCalienté\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003ePrinted Photograph \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e11 x 14 Inches\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e$130\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Statement:\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eCuriosity. Welcome. Engagement. Every year of Dialogue's long life, each issue - and each gathering - has celebrated these qualities. These are also the qualities I always hope to capture in my photos.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eA door knocker may be just a door knocker - but a carved, red one with a dangling, spicy red pepper? Before the door is even open, a lively conversation has begun!\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49342092280043,"sku":null,"price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/Caliente-photobyLHKimball.jpg?v=1788462997"},{"product_id":"j-kirk-richards-spencer-w-kimball-reads-and-highlights-the-lester-bush-dialogue-article","title":"J. Kirk Richards, Spencer W. Kimball Reads and Highlights The Lester Bush Dialogue Article","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e J. Kirk Richards\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eSpencer W. Kimball Reads and Highlights The Lester Bush Dialogue Article\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eOil \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eDIMENSIONS\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePrice:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e$1,300\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Statement:\u003c\/strong\u003e As President Spencer W. Kimball wrestled with the church’s priesthood and temple ban, which prevented people of African descent from full gospel participation, he sought revelation by asking God, and by studying the issue in his heart and in his mind. One of the ways he studied it in his mind was by reading Lester Bush’s article in a 1973 volume of Dialogue journal, which revealed there was no legitimate scriptural basis for the ban. Kimball read and marked the article. We can learn about the process of revelation through Kimball’s example of earnestly studying this challenging issue.\u003c\/span\u003e\u003c\/p\u003e","brand":"Museum","offers":[{"title":"Default Title","offer_id":49342093918443,"sku":null,"price":1300.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/3790\/4291\/files\/2988kimballreadscopy.jpg?v=1788463178"},{"product_id":"j-kirk-richards-adam-and-eve-sequence","title":"J. 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